C-Haze

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Born in Richmond, VA in March of 1993, Brittany Renee Williams had a difficult start. Her mother, Rose Marie Thompson, was diagnosed with AIDS while pregnant with Brittany, and passed the virus to her unborn baby girl.

Burdened with an illness that has no cure, both mother and daughter struggled; little Brittany bounced from foster home to foster home as Thomson tried, unsuccessfully, to get her life together.

In 1996, Rose Marie, close to death, gave guardianship of 3 year-old Brittany to Kim Parker. Parker was the founder of Rainbow Kids Inc., a charity that provided long-term care for children with AIDS. The charity is no longer in existence.

By all accounts, Kim Parker cared for little Brittany until sometime in 2000. In August of that year, Brittany was seen by a doctor. That same summer, Kim approached Brittany’s half-sister, an adult, and asked if she could take the child…

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Whitney

The first time the name Whitney Houston came across my eyes was in 1980.  We had a Chaka Khan album titled “Naughty.”  There were several songs that I loved on that album and the most popular one was the first released single “Clouds.”

When I looked at the credits to check out the background singers there was Whitney Houston’s name listed along with Cissy Houston, Chaka, Mark Stevens, and Charlotte Crossley.  If you listen to the jam now you can hear Whitney’s voice clearly.  At that time she was 17 years old and I certainly didn’t know that she would rise to be the star that she became.  What I did remember was how powerful they sounded belting out those backgrounds and how Whitney apparently took after Cissy with that voice.

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Like everyone else my next lesson came five years later when she released her first LP.  Produced by Kashif, she put out one of the best freshman packages ever, and easily still what I feel was her best work.  Remember these:

You Give Good Love

Thinking About You

Saving All My Love For You

How Will I Know

All At Once

Hold Me w/Teddy Pendergrass

The Greatest Love of All

THAT’S RIGHT!  ALL ON ONE ALBUM!

Whitney

Naturally that timeless piece of work shot Whitney straight to the moon with fame and instant success.  Aretha Franklin is the Queen of Soul.  From 1985-1995 Whitney Houston became the Queen of Pop.  She did a lot of music, starred in movies and became a type of America’s sweetheart.  I graduated high school in 1985 so to a degree I came of age on Whitney’s music.  She had that glamorous image because not only could she sing with thunder she could wear the hell out of an elegant evening dress.  She had flawless skin, the perfect smile and seemed to carry herself like a woman of great power.  And yet she still managed to give off this sense that she wasn’t untouchable.  Of course we figure out later through a series of happenings starting with her relationship and marriage to bad boy Bobby Brown, that she was a rather down to earth diva.

Hell it all made sense when you think about it.  That’s why she was so comfortable to like and identify with to begin with.  Turns out Whitney was an around the way girl.

I’m not going to front.  After that first album I wasn’t as enamored with Whitney’s career.  I questioned her selection of music all the time.  I can understand doing The Bodyguard stuff and evening the I Wanna Dance With Somebody pop songs.  It was easy for her to get rich by making these easy hook sing-along cuts.  Understandable.

I also enjoyed the stuff from Waiting To Exhale.

I felt also her voice was so unique, stunning and electrifying that she could have done other forms of music too.  I could see Whitney Houston Jazz, Whitney Houston gospel, (I know she did some gospel on The Preacher’s Wife) and the original R&B soul stuff she came out the box with.  When I had this discussion with friends, they always went to the money aspect of it as an explanation.  “That’s Whitney.  She has to cross over to obtain the most success.”

I disagreed with this vehemently.  As far as I was concerned Whitney’s first set of hits mentioned above were not crossover hits.  They were bona-fide R&B and the fact of the matter is, the music was so well done, the voice was so bold commanding attention, praise and respect that White people went to it.  In other words, some artist don’t have to cross over.  For the special ones the masses cross over to them!

If that were not the case then people like Ray Charles wouldn’t have recorded country music.  Ray was a musical icon.  Whitney’s voice demanded that you listen.  And even if one didn’t enjoy a certain genre’ initially, hearing Whitney sing different genre’s would do nothing more than educate people on what they didn’t know before.

So as far as I’m concerned, Whitney Houston had a voice made of platinum that could make the birds follow her and she made a ton of money in her career.  But I don’t think we the lovers of music at it’s artistic core with all of it’s imaginative glory got all that we could have.

Losing Whitney hit so many of us in the gut.  There were many who loved most all of her music.  I’m still awed by what I witnessed over 25 years ago when she dropped her first.  I’ll continue to miss that Whitney; that one we seemed to have lost long ago.

Still I am grateful that I witnessed and lived to hear her sing.  She was the voice straight outta heaven.  And as long as I live, I will think of and remember that.

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